Group Exhibition
2025 22 Mar – 06 Apr
Roha Gallery is pleased to present a group exhibition by four Korean artists based in the UK, Germany, and France.
The exhibition explores the theme of connection through various mediums in contemporary art.
Eunchong Hong |
Apples
(2024)
For the convenience of buyers, apples priced at £2.99 per kilogram are labelled under the same name, “Apple,” regardless of their variety.
People, much like apples, each possess their own uniqueness. However, under the system of capitalism, individuals are assigned price tags.
Those labelled with price tags are arranged sequentially, either above or below, according to capitalist values. As a result, some are placed above, while others are placed below.
Although invisible, the stacked apples are held together and sustained by an unseen force.
Eunchong Hong is an artist based in Berlin. Through sculpture, photography, video, and works on paper, she explores notions of universality by capturing and retracing ambiguous moments from her personal life and society.
Hyeyeon Chung |
Box 1
(2024)
A solid box is wrapped in monochrome linen, with the artist fusing scenery and memory through an almost compulsive repetition of weaving.
Intuitively guided yet precise, the artist harmonises the inherent qualities of materials with skill, creating a unique visual language. This process represents the essence of human creativity and our connection with the natural world, emphasising the subjectivity of visual experience.
Hyeyeon Chung is a London-based artist from Seoul, South Korea. Her practice explores landscape, memory, and diasporic experience, blending traditional techniques with contemporary elements.
Through intricate monochrome compositions and precise mark-making, she creates meditative spaces that merge personal and collective memory. Her interest in textiles such as linen reflects an ongoing investigation into space, surface, and perception. Hyeyeon’s work invites viewers to reconsider visual representation and subjective reality, weaving abstraction with nostalgia.
Miji Yoon |
Intertidal Zone
(2024)
The intertidal zone refers to the area temporarily exposed between high and low tides. Shaped by water and wind, these landscapes often display striking similarities across different regions.
Inspired by the idea of nature leaving traces in various places, the artist began photographing intertidal zones around the world. Over time, this process developed into a sense of collaboration with the waves.
In Intertidal Zone, the artist assumes the role of the waves, stacking and dismantling stones of varying material qualities. These collected materials are then transferred onto canvas, offering an alternative way of reading and interpreting them.
Miji Yoon is an artist based in Paris. Originally trained as a pâtissier, she later moved into art practice, developing works ranging from toilet paper flowers to photographic collages and immersive installations.
During a residency in Taiwan, she revived forgotten local folklore through site-specific works. Her practice continues to reconstruct fading memories and explore the connections between space and time.
JINI |
Scale
(2024)
Small human figures within the artwork help viewers understand the surrounding space. Acting as guides, they encourage new ways of seeing and navigating the environment.
Each figure appears to follow its own gravity, creating a sense of constant motion and shifting perspective. This suggests that reality is not fixed, but instead shaped by how and where we look.
By incorporating augmented reality (AR) technology, the work challenges the boundaries of what is considered real, revealing how perception influences the line between the physical and the virtual.
JINI is a London-based artist who explores the blurred boundaries between real life and the digital world. Using augmented reality and 3D design software, she creates interactive experiences that reflect the fluidity of perception.
Her work encourages audiences to reconsider reality itself and engage with deeper questions about existence, perspective, and the evolving nature of human experience.
Roha Gallery 